How do you capture a movement?
We went into the studio to do just that. All of our emotions were running high—many of us hadn’t had a gig in a few months, so the act of being together again to record was healing. Here’s a video we recorded live in the studio.
“Music, as we know, has always been closely connected to the political and social issues of its time. I Am Not A Virus is one of the most recent and sincere expressions of this union that is constantly renewed without geographical or cultural limits."
-Alessandro Michelucci, Cultura Comestibile
About The Musicians
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Rob Smith, trumpet
Rob is the Director of Jazz Studies at Central Michigan University and was one of my teachers. He remains close to this day, and I am grateful that he was able to play on this recording.
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Lisa Sung, piano
Lisa is a friend who I met just before the pandemic began. Connecting over our shared Korean heritage, we played so frequently as a duo that I had to invite her to record for this session.
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Kazuki Takemura, bass
Kazuki (Kaz) is a new friend who I met just briefly before the recording session. We hit it off right away and his style clicked immediately.
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Andy Wheelock, drums
Andy is a friend from my Central Michigan University days. He is now teaching at the University of Wyoming, and we have been collaborating for a long time. I was so glad that he was able to make the trip out for the recording session.
Production Information
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Recorded and Mixed by Drew Elliot
I was very fortunate to have Nashville recording veteran Drew Elliot in the booth for this project. He was invaluable and hilarious as we entered into the project together.
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Mastered by Rich Breen
Rich Been mastered the project, and he did such a great job. He has worked for the likes of Pat Metheny and Lyle Mays, among many others ,and I am grateful to have had Rich on the project.
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Video Production by McCoy Khamphouy
McCoy and I grew up together and are still close today, and bonus: we get to work together on cool projects. As the child of immigrants from Laos, McCoy was happy to lend yet another Asian American perspective to the record.